![]() ![]() I still set up my perspective by hand, a task that is tedious and frustrating. You don't have to be an expert for linear perspective to improve your illustration. Today, I'm going to expand on that with more examples and helpful resources for those interested in using linear perspective in their comics.Īs rough as the art is in the above examples, the backgrounds are consistent with the art, and are fairly believable spaces. In that post, I also introduce the concept of linear perspective, but in a fairly rudimentary way. In order to accurately portray these environments from both perspectives, I utilize linear perspective to create semi-realistic environments. In that post, I use the worldbuilding I've done for 7" Kara- designing Kara's home, the shed, the yard, Naomi's home- worldbuilding that is experienced through very different sets of eyes- Kara's 7" tall, and Naomi's 5'5". In a follow-up post, Environment in Roughs I touch on the concept of comic environments, comic worldbuilding as a character worthy of development and attention. I mentioned that one could skip roughs, particularly if their thumbnails are tight, or their work is cartoony or gestural. In that post, I introduced roughs as the stage between thumbnails and pencils/inks, an opportunity to tighten up acting, facial expressions, and scenery. Back in March of 2017, I first touched on the roughs stage in my Intro to Comic Craft series. ![]()
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